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We are writers mainly from Australia and New Zealand who write speculative fiction with romantic elements. Be it fantasy, paranormal, dark urban fantasy, futuristic and everything in between.
Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Thursday, 10 August 2023

Magic Thursday: Writing Fantasy Fiction with Bernadette Rowley!


Gee, maybe I should have read an article like this before I began my first epic fantasy romance! I got this outline from a Reedsy Blog and gave it my own spin, using most of the headings. Please comment below if anything particularly resonates or if you disagree and have a different take or perhaps additional points.


1. Research the fantasy fiction market


Certainly, before you start your first fantasy novel, you need to be familiar with the genre you’re writing
in. Was I? Sort of. I had an epic fantasy reading background which were romantic fantasy NOT fantasy
romance. I’m not even sure I would’ve used a romance plot to outline Princess Avenger. I had only just joined Romance Writers of Australia and gone to my first conference. But I soon learned the beauty and simplicity of the romance plot.

I strongly feel you must write what you know and love. Having said that, I’m still getting my head around my genre which is epic fantasy romance for adults. It’s sexy too. And set in a medieval world which is a world I inhabited for decades in my teens and twenties. I’m still listening to Robert Jordan’s Wheel of Time series today. My characters are in their 20s and 30s. If I had researched first, perhaps I would’ve made the characters younger and left the explicit sex out, giving my stories a broader appeal.

So yeah, research is good, even if only for promotional purposes. How much research do you do before you write?



2. Learn from the greatest fantasy novelists.

Oh wow! I totally did this BUT did I learn from the greatest fantasy romance novelists? No!

My inspirations were Tolkien, Robert Jordan, Raymond Fiest, Terry Brooks and David Eddings. They all wrote epic fantasy sagas and I ate them up. Nowadays I can’t tell you the last book I read that was
written by a man!

Additionally that influence led me to write in series and I’m unlikely to read a book in any genre if it’s a
standalone.

From those fantasy novelists I learned world building, grammar, tropes, characterisation and plot
without even realising it.


3. Define the setting of your novel.

Easy. I had already existed in those worlds for decades. But I didn’t want to overdo the description. So I
dropped in elements to allow the reader to paint their own picture ie, the cobblestones, taverns, rushes
underfoot, metallic stench of blood, etc

I’m impatient and don’t enjoy reading paragraphs of description so I don’t make my readers do that
either. However, I need to concentrate on keeping the senses engaged so my stories completely
immerse the reader in the world – they are living the story.

At the start of a scene, it’s a great tip to announce (either by telling or showing) where the scene is taking place, so your reader is right there with you.


4. Develop your fantasy world through short stories

Nope, absolutely not. They say Tolkien wrote reams of short stories of his world and that’s fine for him.
Short story writing is a great skill to have. I dislike short stories. I hate reading them and I’m not sure I’ve ever written one – well perhaps a couple way back in high school. So, I fail at this strategy but perhaps you don’t. And perhaps you’ve even created a collection of short stories to market or use as a carrot for newsletter signups.

This could also be a good strategy if you find it difficult to finish a longer novel.


5. Create rules for your kingdom

This is part of your world building strategy but who hasn’t created a rule while in the midst of a plot
crisis? “Hey if they could do this, all would be explained!” OR “A dragon could work in this scene.” 
Just between you and me, my world of Thorius didn’t have dragons and night hounds when I wrote book 1.

Magic is outlawed (a popular way to increase conflict), my kingdom has a medieval setting, there is
political intrigue and battles. So, my world basically follows that time period but I can tweak things like
costumes, armour and dances if I choose because… it’s fantasy.


6. Obey your world building laws

Once you’ve made your rules, don’t break them. This is one of the hard and fast laws to writing fantasy.
Readers will call you out on it if you forget one of your own rules, unless it can be explained logically. For example, when my Defenders change from human to beast their clothes disappear and then reappear
when they change back to human. But in other fantasy, shapeshifters must undress before the shift
unless they wish to end up with shredded clothes, etc.


7. Outline your story

This old chestnut. We’ve all heard of plotters and pantsers and everything variation in between. I agree
some plotting is needed even if it’s only writing your synopsis first and using that to refer to. Whether
you’re plotting your book right down to the minutia or just generating a vague outline before you start
your first draft, both are valid ways of keeping your story on track. As I’ve written more books, I’ve used more in-depth outlines, especially for the later books in my series which were romantic fantasy.


8. Perfect your character development

Characters are central to most stories, even those with amazing worlds and incredible environments. It’s
vital to know your character’s motivations, fears, loves, deepest desires, their recent and not so recent
history, their likes and dislikes. Personally, I think this aspect is the most critical part of drafting a great
story and it can be fun too.


9. Use real world themes

I’m not so sure this is a vital part of drafting a good story depending on why you’re writing it. You
certainly don’t want to come across preachy and that can easily happen if you dwell too much on your
own deeply held beliefs or traumas. However, many an author would strenuously debate me on this –
and that’s ok. I want my reader to enjoy an escape when in my stories. Therefore, if they’re too close to
the real world, that can be ruined.

Having said all that, prejudice of all types is a strong theme in my books.


10. Be specific about the elements of your writing

This point speaks to the use of just enough details to give your reader a picture of a place, a character, a
smell or any other element that helps the reader enter your world. You want to engage as many of their
senses as you can. And any fantasy elements such as my night hounds need to have a picture painted as
they are specific to my world. Making your fantasy elements unique helps captivate the reader.

I think many of us could do more with this. I find I tend to mistakenly assume my readers know more
than they do, because fantasy realms are so familiar to me.


11. Don’t overwhelm readers with details

Having mentioned being specific and painting a picture, it’s also important to avoid overdoing it. For
example, your descriptions of clothing, places, dances, people, even conversations, don’t have to delve
into the minutia. You may have to reduce some scenes to sentences or paragraphs or even cut scenes
altogether to avoid boring the reader.

It’s always better to drip feed details into a story than using the infodump. I find this easier if you begin
with an inciting event so that your reader is drawn into the adventure straight away. They will observe
the characters reacting to the situation and learn much about them if you get it right.


12. Keep asking questions as the writer

Questions are important, not only to make sure your world makes sense but also to solve plot problems.
Don’t expect answers right away. It may take days or weeks for your muse to come up with the answer
to your question. However, I find my muse gives better solutions than if I force the answers because I
need to meet a certain word count. I’ve been known to write my problems down and return to them
later. Often, they’ve already been solved! 


~~~


Princess Avenger

Perfect for fans of Robert Jordan's The Wheel of Time series.

A princess in disguise. A shifter with a hidden agenda. Will they uncover the truth in time for romance to blossom?
Alecia Zialni has sworn revenge against her father for having her first love murdered. Masquerading as a man to pursue her vendetta, the prince’s headstrong daughter is soon in over her head. And when her handsome rescuer is assigned as her protector, her secret double life becomes complicated by their rapidly growing chemistry.

Captain Vard Anton struggles to control his budding lust for the determined princess he’s supposed to defend. And as an animal shapeshifter charged with killing her father, he knows he can never reveal his true identity. But the violent beast form he cannot master threatens to expose him and risk her safety.

As her feelings for Vard continue to bloom, Alecia is devastated when she’s betrothed to a lecherous lord. And wracked with guilt over his ultimate mission, Vard fears there is no way for them to ever be together. But her obsession with vengeance may be the death of them both…

Can Alecia and Vard topple a tyrant to join their destinies and their hearts?

Princess Avenger is the thrilling first book in the Queenmakers Saga epic fantasy romance series. If you like strong heroines, sexy shifters, and forbidden passion, then you’ll adore Bernadette Rowley’s enchanting adventure.






Queennakers Saga (Books 1-4)

An epic fantasy box set with over 900 pages of spicy romance, magic and political intrigue. Think Game of Thrones with Romance.

The saga begins with PRINCESS AVENGER.

Titles contained in this box set:
Princess Avenger
The Lady's Choice
Princess in Exile
The Lord and the Mermaid











Bernadette Rowley

Bernadette Rowley is an Australian epic fantasy romance author who is also a veterinarian. After flirting with picture books, junior fiction and space opera, Bernadette was challenged to write a romance in 2011 and she hasn’t looked back.

First published by Penguin Australia and then Pan Macmillan Australia, Bernadette is now an independently published author. The Queenmakers Saga contains eleven books spanning the genres of fantasy romance and romantic fantasy.

Her favorite tropes are enemies to lovers, forced proximity and forbidden romance. Strong themes include the horse/human bond and healing.

When not at her desk, Bernadette can be found absorbed in a good romance or romantic suspense, swimming, walking or having coffee with friends.



Saturday, 25 October 2014

Enchanted Orb with Stacey Nash


Today we have YA author, Stacey Nash, sharing her inspiration behind the first two books in her Collective Series.

Inspiration is a funny thing. A bit like motivation; sometimes it’s there just waiting for us to grab hold of it and others it’s not and as a writer we find we have to drag it from deep inside of us. I’ve experienced both of these. I recently wrote a story that had been close to my heart for years, but when I sat down to start drafting there was no inspiration for the plot or the characters. Sure I had a great concept, but all the pieces didn’t fall together and for a little while it kind of felt like I was forcing them. Needless to say the story wound up in my bottom drawer where it will stay until inspiration strikes. Other times, like with my recently published series, not only did the idea for the concept, and plot arrive at once, but so too did the characters. Because I love the type of science fiction seen in the TV shows like Fringe and Agents S.H.E.I.L.D I drew a lot of inspiration from there, which I combined with my love of urban fantasy. This made the series a real mix of advanced tech sci-fi in a setting secluded from public knowledge, just like must urban fantasy stories. I’m pretty sure it’s not a genre, but I like to call my books urban sci-fi.

This wasn’t the only inspiration or its main source. I’ve spent many years not only fascinated by conspiracy theories, but debating about them with my father.

Is the Da Vinci code real? What about crop circles? Big Foot a hoax? Maybe Nessie exists.

My favourite conspiracy theory is the illuminate and this is where I drew my inspiration for the secret society in the Collective Series, called the Collective. In my books the Collective are a secret organization who not only suppress the knowledge of highly advanced technology from the general populace, but they use it to shape world events in a way they believe is best for all mankind. This also is done behind closed doors, without society realizing that they are not only the puppets, but also play things of the Collective. Yes, I essentially wrote a conspiracy theory YA. Forget Me Not has a lot of adventure, a good dose of danger, and a bucket load of romance, because everyone loves a little love!

I find stories like this that have plenty of inspiration easier to write. What about you, where does your inspiration come from and has lack of inspiration ever stopped you from writing?


About the Collective Series -
Anamae is drawn into a world which shatters everything she knew to be true.

Since her mother vanished nine years ago, Anamae and her father have shared a quiet life. But when Anamae discovers a brooch identical to her mother's favorite pendant, she unknowingly invites a slew of trouble into their world. They're not just jewellery, they're part of a highly developed technology capable of cloaking the human form. Triggering the jewellery's power attracts the attention of a secret society determined to confiscate the device - and silence everyone who is aware of its existence. Anamae knows too much, and now she's Enemy Number One. She's forced to leave her father behind when she's taken in by a group determined to keep her safe. Here Anamae searches for answers about this hidden world. With her father kidnapped and her own life on the line, Anamae must decide if saving her dad is worth risking her new friends' lives. No matter what she does, somebody is going to get hurt.

Buy links for Forget Me Not, Collective Series, book 1

HarperCollins || Amazon || Amazon Au || iBooks || GooglePlay || Barnes & Noble || Kobo

Buy links for Remember Me, Collective Series, book 2

HarperCollins || Amazon || Amazon Au || iBooks || Googleplay || Barnes & Noble || Kobo


About Stacey Nash

Stacey Nash writes adventure filled stories for Young Adults in the Science Fiction and Fantasy genres. She loves to read and write books that have a lot of adventure, a good dose of danger, a smattering of romance, and KISSING! Hailing from the Hunter Valley in New South Wales, she loves nothing more than immersing herself in the beauty and culture of the local area.

Author of the Collective Series; Forget Me Not and Remember Me.

Connect with Stacey:

Author Website || Twitter || Facebook || Pinterest


Thursday, 26 June 2014

Magic Thursday with PORTALS a Fantasy Anthology & Giveaways!

Please welcome Havva Murat to the Dark Side this week as we help celebrate the release of the multi-author fantasy anthology, Portals. Don't forget to enter the Rafflecopter contest below to be in with the chance of winning the fabulous giveaway!




Genre: Fantasy Anthology (mixed sub genres)
Publisher:  Roane Publishing
Release Date: June 5, 2014

Description: No matter what world you call home, or what your station in life, there are just some paths that weren't meant to be tread.

Maronda’s Quest by 
Christy Thomas

Mexmur, the Huntress by 
Anna Simpson

Entrance of Lost Souls by 
Echo Shea

Where Once were Hearts by Havva Murat

Ordinary World by 
Laurie Treacy

The Lunatic Queen by 
Michael Siciliano

Goodreads Link:  



Group Giveaway:  $10 Amazon Gift Card & paperback copy of Portals



Where Once Were Hearts - Havva Murat

Bartholomew noticed an elbow sticking out from the chair closest to him, but could not see who sat within. “Cousin Horatio? It is I, Bartholomew Battlesby, son of your cousin, Martha.” He moved toward the chair. Reaching out with tentative fingers, he grasped the elbow, shocked at the chill emanating from the arm he’d latched onto. His stomach churned as he peered around the side of the seat. 

A squawk burst from him as he met the frozen, and very dead gaze, of his estranged cousin. 

“Good lord…” he wheezed, as his eyes fell upon the gaping, but very precise hole in the old man’s chest where once his heart had been. Bartholomew could not move as he drank in the features of the dead face. 

The nose was the same as his mother’s and accordingly the same as his very own. He ran his fingers over his own, to make sure it was still the same. The eyebrows, slanted and forming a right angle at the end, were unmistakably Grimsby eyebrows. But, the body was in some strange state of suspension – neither rotting, nor giving off any smell. 

Bartholomew sensed he’d stumbled on no simple country manor. 

“What foul business is this?” He felt the bile rising in his throat, and as he raised his handkerchief to cover his mouth, he was suddenly hit across the back of the head. He slumped across the knees of his dead cousin and the world went dark. 




About Havva Murat

Havva Murat is a writer and escape artist with a passion for stories of the fantastical and romantic, who often hides herself away, competently blocking out the repeated calling of her name just so she can read a few more precious pages of the book on her night stand, or finish writing that troublesome scene.

Her other passions include meditation, photography, researching mythology, ancient history and the Victorian era, and creating stained glass pieces to fill her cottage which is about to sink into the earth. You can follow her author page on Facebook or find her tweeting @MsHavvaMurat.


Facebook: 
https://www.facebook.com/pages/Havva-Murat-Author/441517182597916

Twitter: 
https://twitter.com/MsHavvaMurat

Pinterest: 
http://www.pinterest.com/mshavvamurat/

Goodreads Author Page: 
https://www.goodreads.com/author/show/6981309.Havva_Murat

a Rafflecopter giveaway

Saturday, 11 January 2014

Darklight On... JM Bray



Today's Darklight On is... JM Bray

Welcome, JM Bray!





How did you come to write speculative fiction? What attracted you to the genre?

As a reader, my favourite books always include an element of the fantastic. When I started writing my mind went there first. There’s a freedom to it, the boundaries are less distinct. I like that.


Are you a plotter? Pantser? Or somewhere in-between?

Pantser. I get a “what if” idea, then a character comes from there. Then I mull the two for a while and if they still seem solid I start writing. But I have only the broadest notions where the story will go.



Do you have a favourite of your characters?

No. I love them all for varying reasons, even my sociopathic villain.



What are you currently working on? 

The third book in the Shroud series, with a working title of Shrouded. Book two should (hopefully) release in the first half of next year.



What is your favourite part of the process of writing?

I enjoy all of it, even editing. If I have to choose: it’s the moment where I’m blindsided at what happens in a scene. That’s magic.


What can we expect from future instalments of the Shroud series?

Mending the Shroud, book two, picks up the story a month after Tearing the Shroud. Vincent, Jule and the rest of the gang are falling deeper into love, adventure and everything that goes with it.



Who are your favourite authors?

It depends on the genre. Fantasy: Raymond E. Feist or Anne McCaffrey. Horror: King or Koontz. Alt-mythic/Historic: Stephen R. Lawhead. Romance: Ainslie Paton.




What are you currently reading?

Scarlett by Lawhead. It’s a re-imagining of the Robin Hood story.



Do you have a favourite spec fiction movie or TV series?

The director's cut of the movie, Highlander. I’ve watched it at least twenty times.



Do you have advice for emerging writers?

Keep everything you write. You never know when those partial stories will bloom into something wonderful.

~~


Thanks, JM!


Buy Links to Tearing the Shroud

                            Amazon       |        iTunes       |        Kobo       |        EscapePublishing


About JM Bray
JM Bray lives in Southern California with his college sweetheart and their two dogs. When not writing or working his day job, he loves to cook, play the guitar, and travel with his wife. Every chance he gets, he races an old Porsche named Tuffy at tracks in the southwest.Catch up with him via:

Twitter       |       Website       |        Blog       |       Facebook       |       Facebook Connect       |       Pinterest

Thursday, 27 June 2013

Magic Thursday: World Building - Defining Magic in the world of Shadow's Rise



Thank you to the Darksiders for hosting me here once more. This week, I thought I’d talk a bit about some of the things I considered when developing and writing about the magic of Tzamesch, where the Shadow Series is set.

Some writers build their work with encyclopaedic accuracy before they ever start a story. I have never been able to do it that way; I find it stifles the story process for me. Instead, I use a combination of learning about my world through storytelling, and then working out the logic behind what I’ve ‘seen’ happen in the story and writing the rules so that I have consistency in the rules governing the world.

For instance, when I first started writing Tzamesch, I knew I wanted there to be something a little bit different in the way magic operated. I didn’t like the idea of wizards having to learn a set number of spells at the beginning of the day, like they are required to do in some roleplaying systems. I didn’t like the idea of wielding magic being so exhausting that even the smallest spell took a great physical toll. I didn’t think all magic wielders should work the same way, but I also didn’t know exactly how to describe what I wanted until I’d used magic in the story.

It soon became clear that magic, at least for the most common kind of magic-user, was a kind of energy or force that could be tapped into and shaped. This meant I had to answer the question of why not everyone was a magic user. I decided it was genetic—not everyone has the capability to sense, feel or draw on the magical energy around them, and not everyone who can, is able to shape it. People are born with different abilities, and magical sensitivity and shaping was one of those.


As I wrote, I also found that there were different kinds of magic, with elemental magic playing a pivotal role in the story. I also learned that the difference had to be explained or shown so that the reader could focus more on the story than on wondering what the importance of those differences was. I decided elemental magic was different to ‘normal’ magic, but only to a small degree.

I drew on known and accepted understandings of elemental magic in our own world and decided that elemental magic on Tzamesch means more than earth, air, wind or fire. Everything is an element: stones, gems, decay, death… and power, which is also central to the story’s villain. This led to me deciding that there had been a pantheon before the one existing in the book, and that led to me asking more questions as I explored yet another form of magic—that of clerics and priests.

I had to ask: How are gods and goddesses formed? Where do they come from? Where do they go when they die? How do they die? and What role do mortals play in the life-cycle of a god?
With the books having such strong elements of deities and their interference in mortal affairs, these were questions that required an answer in order for the story to move forward.

I decided that what a person worships is instrumental in giving rise to a deity. This meant that while there were now human deities who represented different facets of the human world, because humans saw those facets to be important: night, balance, fishermen, coastlines, death, invention, plague, pestilence and so forth. In earlier times, however, humans worshiped the elements around them: the earth that helped them grow their food, the air that brought storms and rain, the water that helped their crops grow, and the fire that cooked their food and drove off predators. Everything important to their survival was given a place. As society advanced and changed, so did the kinds of things humans worshipped.

The worship of stone led to the discovery of metal, which led to the rise in importance of smiths and inventors, which led to a gradual increase in the worship of a god of smiths and a god of inventors and brought about a decline in the worship of metal as an element. Likewise, an increase in the worship of a god of masons led to a decrease in the worship of the element of stone. And so it went.

As the new deities grew into being and developed a place in the human pantheon, the old elemental deities withdrew from the world, and elemental magic became a thing of the past. No longer the domain of priests, the power of the elements could still be sensed by some, in the same way that magic could be sensed. Without a deific link, I decided that the ability to sense and use magic and the more specific ability to sense and use elemental power were related, but that the elemental sense was rarer.

I also revisited my idea about magic being tiring, and decided that if particularly difficult spells were cast, or if the caster had to repeatedly cast spells, then magic was tiring, and again came the constant question ‘Why?’. It took me some time to answer that, but I worked out that the reason wizards who attempt a magic beyond their ability, or who draw on spells over a prolonged period, collapse or die is because they eventually end up drawing on the magic inside themselves, for it takes a degree of magic to sense and use magic. Spell-casters are, in essence, magical creatures, and magic gives their souls a different flavour.

…and this flavour is what enables other magical creatures to hunt them—another important element in the story as the nemesis threatening the world uses his undead to hunt wizards so he can use the power stored in their souls to fuel his escape attempt.

So, how does this illustrate world-building, and why is it important?

Everything interlinks. Important story elements have a background. There is a reason why elementals are involved, and a reason why the villain of the piece has difficulty finding the right kind of soul to power his escape. Everything serves the purpose of moving the story forward, giving something important to the story an understandable reason for existing, or giving the readers an insight into the world’s mechanics.

Some of this background never appears in the book itself, but me knowing it exists helps me give each occurrence a commonality so that the reader can start to make sense of the world and feel a little more at home in it. This means the reader can focus more on the story than on wondering why things work as they do in the characters world. It reduces the chance they’ll be pulled out of the story because something didn’t work as they expected, because it was different to the last time they saw it. It helps the reader become immersed in your world, and enjoy it more.

And that is what we all aim for.

------------------------------------------------------------------------------------------------------------------------------------------------ 


C.M. Simpson spent the first twenty years of her life living in different parts of Queensland and the Northern Territory. Her father was a teacher who liked to travel, so he took teaching appointments in all kinds of places. To cope with the constant travel, C.M. wrote stories, drawing on the different landscapes she encountered and giving a hyper-active imagination somewhere to run. Seeing so many different places gave her a lot of food for thought as she stepped into the world of adulthood and she never stopped writing and exploring the worlds in her head.


You can find her at: http://cmsimpson.blogspot.com.au/

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